This is just one of the locations that we have thought about using but it is quite likely it will feature in the film because of the many generic conventions that it holds and the various different shot opportunities it possesses.
As we can see here the space is claustrophobic with not a lot of standing space, also the non-ambient fluorescent light creates the classic noir lighting.
The darkness will help to signify the genre, it also helps to establish the dark nature of the opening and provides an overall chilling feeling.
This shot is to show close up the sort of lighting in the car park, it gives of a yellow glow which helps to give enough light to film but also keeps spaces dim.
Looking out from the car park we can see the dystopian cityscape, this gives the impression that this location is undesirable and possibly dangerous.
This photo is showing the stairwell, which could be used in the opening as it is very claustrophobic and could create some very interesting shots, especially a low angle of one of the characters standing at the top.
This is what one of the lift doors look like, we have planned to include a shot involving the lift (I have uploaded a video in the second post showing a possibility)
A part of the car park has had rails put up along the parking bays, stopping any cars from parking here. This helps to make the location seem even more isolated and dangerous as it appears no one is around, also having the empty space creates more freedom for shooting scenes.
A look at one of the abandoned buildings close by, adding to the undesirableness of this location. This is reminiscent of some of the bleak city locations in 'Essex Boys' and the estate in 'Harry Brown'.
An interesting shot of the view down the flight of stairs, a possible shot of someone's hands as they are walking up may prove efficient in creating suspense.
Great choices of locations and reflect genre splendidly. In another post you can compare some of your shots with screen shots from thriller films/Tv dramas that have inspired your ideas.
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